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SKYFALL Review

SKYFALL Review

By Author Piper Bayard & Intelligence Operative Jay Holmes*

SKYFALL marks the Golden Anniversary of the Bond series, and it’s raking in the serious gold—for good reason. In this 23rd Bond film, M and MI-6 are under attack, and it’s up to 007 to track down and destroy the threat. He does it in style, proving once more that Bond truly is the master of resurrection.

Sam Mendes makes a brilliant directing debut with the series, showing he actually earned all of his Oscars and Tonys for other films over the years. Daniel Craig returns for the third time as Bond, along with Judi Dench playing M, and introducing Ben Whishaw and Naomi Harris as Q and Moneypenny, respectively.

Bayard:

From a thriller standpoint, SKYFALL has it all. Fast pace, nail-biting tension, creative chases, and explosions that will warm the heart of twenty-something pyrotechnics lovers. There’s even a tiny snafu that might have you wondering, “Which side was that?” But I suspect that will only end up making the movie more loved for being a bit flawed like the rest of us.

While cutting edge with a modern feel and new, young characters, SKYFALL still honors the classic qualities of Bond. It not only takes us for one more spin in 007’s iconic Aston Martin DB5, it treats us to colorful locales, mysterious people, and even exotic animals. Though I feel compelled to note those komodo dragons must be on a diet of digitally enhanced Twinkies and MLB steroids to get that big.

This 50th Anniversary installment continues to develop the three-dimensional character brought to the fore with the Craig incarnation of the series, and we find out more details of Bond’s early life and home. Only one Bond behavior strikes me as being particularly out of character. He allows his MI-6 co-worker to shave him with an old-fashioned straight razor. A certain spook I know *glances down the page* can barely sit still for his wife of decades to cut his hair. He would rather suck broken glass through a straw up his nose than allow anyone near his throat with a sharp object.

Holmes:

It’s not easy to take an old, worn out basic story line like the “stolen master list” and make a watchable movie out of it after so many have tried and failed, but SKYFALL does it. The entire production is excellent, and this is a great addition to the Bond series.

As to the normal “spy flick” questions, here we go . . .

No, it’s not terribly realistic, but that’s fortunate. Who really wants to watch a bunch of guys in filthy, third world hovels passing long hours trying to get something done? SKYFALL is definitely unrealistic, and that’s why it’s superbly entertaining.

Can you use light sockets to make nail bombs? Yes. But not with the method employed in the movie. So all you middle school boys reading this can leave those light fixtures alone. You’ll only succeed in infuriating your parents without getting any real explosions.

The palm ID feature of Bond’s new Walther will thrill gun control nuts the world over. And yes. Tracking radios that size and smaller do work in the real world. The smallest model would be useless in an action flick because they would need a macro lens shot to show it.

There is a theme throughout SKYFALL of a rift between the old HUMINT (human intelligence) hands and the rest of the intelligence community. In the real world, there are plenty of old spooks. The problem with operatives getting good at the job is that organizations generally don’t want them to leave, and they don’t know how to leave, anyway. The idea that younger spooks see the older spooks and their methods as irrelevant is 99% false. Only politicians and whiny media types do that. I suspect this is just as true in MI-6 as it is in American intelligence organizations.

Now for the negatives. The script is a bit weak in a couple of places, but that’s about the only complaint I have.

The positives are many. The acting ranges from fair to excellent. The camera work and editing are great. I hope the editing crew and directors from BOURNE LEGACY see this movie so they can get an idea of how one might make a movie if one combines intention with talent.

The opening chase scene includes a “drive through the market chase” and a novel “top of the train” scene. I won’t ruin them for you. I’ll just say they are very well done, evidencing a good deal of time and effort.

The fighting and shooting scenes are articulate and reasonable. There were no magic weapons with infinite shots, and there were a couple of original touches I think viewers will enjoy.

In a return to earlier Bond style, SKYFALL delivers craftily woven levity. However, the sex was a notch lower than more traditional Bonds. Sorry guys. The producers skimped on their usual “legions of young woman in small bikinis” device, but there is still plenty of movie here.

The four years we waited for a new Bond film were well used by the entire production cast to create a movie that entertains without the viewer having to try too hard. They ALL got it right.

We highly recommend SKYFALL to anyone who enjoys action films. Few movies will ever achieve this level of production quality. Bravo to the Bond team!

We give SKYFALL a .357 magnum +P rating. This is our second highest rating, and it means we would actually pay prime time theater prices if we could stand the crowd. It only fails to achieve our highest rating, the .44 magnum, because we reserve that for films that might enlighten or inspire some of the viewers. You may not be enlightened or inspired by SKYFALL, but you will almost certainly be entertained.

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Piper Bayard is a belly dancer from way back and a recovering attorney with a university degree or two. She currently pens post-apocalyptic sci-fi and spy novels with Holmes when she isn’t shooting, SCUBA diving, or chauffeuring her children.

 ‘Jay Holmes’, is an intelligence veteran of the Cold War and remains an anonymous member of the intelligence community. Piper is the public face of their partnership.

Bayard & Holmes blog at Bayard & Holmes. You may contact them in blog comments, on Twitter at@piperbayard, on Facebook at Piper Bayard, or by email at piperbayard@yahoo.com

© 2012 Piper Bayard. All content on this page is protected by copyright. If you would like to use any part of this, please contact us at the above links to request permission.


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